August 26, 2026
Alright, buckle up, fellow Red Rocker and Van Halen fanatics! Let’s dive into Sammy Hagar’s “Red: My Uncensored Life in Rock.” I was looking for another good read and came across this one at my local bookstore. For those of us who were there from the beginning, cranking “Bad Reputation” and “Standing Hampton” after Sammy’s
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Alright. This one is for the Parrotheads and string-slingers, gather ’round the virtual tiki bar. Let’s talk about Ryan White’s “Jimmy Buffett: A Good Life All the Way.” Now, as a 63-year-old who’s strummed more Margaritaville chords than I care to admit (and let’s be honest, probably more than Jimmy himself), I approached this
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Alright, listen up, y’all. If you were cruisin’ around Florida in the ’70s with a guitar in your lap and the AM radio cranked, you know the sound. That sweet blend of country twang and rock and roll swagger? Yeah, that’s the stuff. My wife actually turned me onto this one, and if you wanna
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Time for another good read. This week it “Texas Flood: The Inside Story of Stevie Ray Vaughan. Alright, fellow fret fanatics let’s talk about a book that hit my Strat-slinging heart like a perfectly bent note: “Texas Flood: The Inside Story of Stevie Ray Vaughan” by Alan Paul and Andy Aledort. Now, I’ve been around
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Fellow string stringers, four stringers, tone junkies, and anyone who’s ever felt the electric thrill of a power chord: Ian S. Port’s “The Birth of Loud” isn’t just a book; it’s a revelation. As someone who’s been wrestling with six strings for, ahem, a few decades (my first guitar was a truly atrocious plywood wonder
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Alright, fretboard fanatics, and especially my fellow OLD SCHOOL KISS Army veterans, let’s talk Ace Frehley. Specifically, let’s talk about his autobiography, “No Regrets.” Now, I’m a guy of a certain age – let’s just say I remember exactly where I was when I first heard “Cold Gin” crackle out of my transistor radio, mimicking
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Eric Clapton. We have all hear of him and heard his music. The name itself resonates with the raw power of a wailing Stratocaster, the soulful bend of a blues note, and the echoes of a career spanning decades. But behind the legendary guitarist lies a complex, often troubled individual. Philip Norman’s “Slowhand: The Life
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